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  • 1950s, 20th Century, Analysis, Classics, Hindi, Indian Cinema, Movies, Nargis, Raj Kapoor, Reviews, South Asian Cinema

    Awaara (1951) – The Debut Film That Swept Half of the World Under its Thrall

    Published by

    Kirre Ranin

    on

    September 25, 2026

    This is a film which I felt needed a re-review, not only because of my new more analytical take on these film reviews, but also just because it is a classic and deserves an in-depth look at it. Hope you enjoy this one! Always happy to do these re-reviews, since…

    Continue reading →: Awaara (1951) – The Debut Film That Swept Half of the World Under its Thrall
  • 2010s, 21st Century, American Cinema, Analysis, Art House, European Cinema, Hindi, Indian Cinema, International Cinema, Irrfan Khan, Movies, Parallel Cinema, Reviews, South Asian Cinema, USA Cinema

    The Lunchbox (2013) – Feel Good Feast For The Soul

    Published by

    Kirre Ranin

    on

    September 19, 2026

    This film returned to my life after a while for doing another project for a family event coming later on, and I felt that it was time to watch it again, then write this review of it!  Spoilers for the film below! In Mumbai, Maharashtra, a young wife and mother…

    Continue reading →: The Lunchbox (2013) – Feel Good Feast For The Soul
  • 2010s, 21st Century, Analysis, Anthology, Hindi, Indian Cinema, Karan Johar, Movies, Netflix, Reviews, South Asian Cinema

    Lust Stories (2018) – A Quartet of Women’s Sexual Journeys

    Published by

    Kirre Ranin

    on

    September 18, 2026

    I have not watched and reviewed an anthology film in a while, so since the third installment of this film series comes today, I thought it best to see the original again, and write my thoughts down about it.  Spoilers for the film below! Anurag Kashyap – Monogamy, Marriage, Mind…

    Continue reading →: Lust Stories (2018) – A Quartet of Women’s Sexual Journeys
  • 2000s, 21st Century, Analysis, Deepika Padukone, Hindi, Indian Cinema, Movies, Reviews, South Asian Cinema

    Chhapaak (2020) – A Slow Moving Battle After an Acid Attack

    Published by

    Kirre Ranin

    on

    September 13, 2026

    I watched this film when it first came out with my mother in the cinema, but I have not watched it after that, but now it felt like a good time to see it once more.  Spoilers for the film below! In December 2012, a reporter named Alka meets with…

    Continue reading →: Chhapaak (2020) – A Slow Moving Battle After an Acid Attack
  • 2020s, 21st Century, Alia Bhatt, Analysis, Classics, Indian Cinema, Movies, NTR Jr., Ram Charan, Reviews, S. S. Rajamouli, South Asian Cinema, Telugu

    RRR (2022) – A Roaring Anti-Colonial Rampage With Questionable Homegrown Politics

    Published by

    Kirre Ranin

    on

    September 12, 2026

    This review was a long time coming, so yeah, prepare for a big one with this if you skip the film plot summary in the beginning.  Spoilers for the film below! In 1920, during the British Raj, the Governor Scott Buxton and his wife Catherine visit the village in the…

    Continue reading →: RRR (2022) – A Roaring Anti-Colonial Rampage With Questionable Homegrown Politics
  • 1990s, 21st Century, Aishwarya Rai, Analysis, Classics, Hindi, Indian Cinema, Movies, Reviews, Salman Khan, Sanjay Leela Bhansali, South Asian Cinema

    Hum Dil De Chuke Sanam (1999) – A Musically Rich Love Triangle That Still Makes Me Cry

    Published by

    Kirre Ranin

    on

    September 6, 2026

    If you are a hater of this Bhansali movie then do not read this review. I like this movie, even though I am acutely aware of the conservative message this movie has, yet the script plays it in a way which still makes me smile and weep by the end.…

    Continue reading →: Hum Dil De Chuke Sanam (1999) – A Musically Rich Love Triangle That Still Makes Me Cry
  • 1970s, 20th Century, Analysis, Art House, Bangladeshi Cinema, Bengali, Indian Cinema, International Cinema, Movies, Reviews, South Asian Cinema

    Titash Ekti Nadir Naam (1973) – Life Along the Whims of the River of Fate

    Published by

    Kirre Ranin

    on

    September 5, 2026

    This film was one I had wanted to watch for a long time, and finally got the time to do so. It was a wonderful experience!  Spoilers for the film below! In a village near the River Titas, a fisherman named Kishore marries a young girl named Rajar Jhi on…

    Continue reading →: Titash Ekti Nadir Naam (1973) – Life Along the Whims of the River of Fate
  • 2000s, 21st Century, Analysis, Art House, Hindi, Indian Cinema, Movies, Parallel Cinema, Reviews, South Asian Cinema

    Matrubhoomi: A Nation Without Women (2003) – Womanhood at a Time of a Gender Apocalypse

    Published by

    Kirre Ranin

    on

    September 4, 2026

    A movie which is not for everybody, because of its subject matter, which is important, but it is not a perfect movie. It gets its message across, but in a way which is not intersectional, nor does it acknowledge any oppression not centered on women or the strict gender binaries. …

    Continue reading →: Matrubhoomi: A Nation Without Women (2003) – Womanhood at a Time of a Gender Apocalypse
  • 1980s, 20th Century, Analysis, Hindi, Indian Cinema, Movies, Reviews, Smita Patil, Sridevi

    Nazrana (1987) – Marriage Melodrama and Blatant Colorism!

    Published by

    Kirre Ranin

    on

    August 30, 2026

    This is one of those films which was a hit in the 1980s, though overshadowed by larger blockbusters, and rarely seems to be remembered now. I don’t know why, but I do have a kind of fondness from films of this time, even if like this film the scripts are…

    Continue reading →: Nazrana (1987) – Marriage Melodrama and Blatant Colorism!
  • 2020s, 21st Century, Analysis, Indian Cinema, Movies, Reviews, South Asian Cinema, Tamil

    Gargi (2022) – The Monsters Are Very Human

    Published by

    Kirre Ranin

    on

    August 29, 2026

    This is a re-review, because the one I originally made was not as detailed, and I hardly dove into the films uncomfortable themes as I should have. So, changing that now, with more maturity and analysis skills at hand. Spoilers for the film below! In Chennai, Tamil Nadu, Gargi is…

    Continue reading →: Gargi (2022) – The Monsters Are Very Human
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I’m Kirre

Welcome to The Little Corner! The Blog where I write mostly about films, but also the occasional book and other things.

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