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Continue reading →: Alai Payuthey (2000) – An Unfinished House Needs a Solid Foundation
I am finally back! I wanted to watch another original vs remake thing, with me now watching the original Tamil version to the Hindi version back to back, though released in separate days. I guess I just needed something light, something good, and this film provided that for me in…
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Continue reading →: In Flames (2023) – Bleak Spectre of the Patriarchy
I watched this after seeing The Queen of My Dreams (2023), another Pakistani Canadian film, but while that film was filled with diaspora nostalgia, In Flames is rooted more in its place in Pakistan even though the writer-director Zarrar Kahn is Pakistani Canadian. It was even Pakistan’s entry for the…
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Continue reading →: Silsila (1981) – Affairs of the Heart in Real and Reel Life
There were many times in the past when I tried to watch this film, but could not, and stopped right at the beginning. Now that it is available on Netflix it is so much easier to watch, and I am so glad YRF made the decision to put most of…
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Continue reading →: Hamnet (2025) – For Grief is Crowned With Consolation
After a long time I went to the cinema, seated myself in a chair, and from a seat far back I watched this film. I was not able to see all the acting details, since I was not as near seated as I wished, but I still saw this film…
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Continue reading →: Persepolis (2007) – Memoirs of an Iranian Exile
I have always loved graphic novels/comic books, but when reading this story for the first time it truly opened my eyes. Previously, I had seen the world through the eyes of comics like W.I.T.C.H., Disney Princess, Winx Club, Archie and Donald Duck or from mangas. My first graphic novel/comic book…
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Continue reading →: The Circle (2000) – Womanhood Is A Prison
I have been a longtime fan of the director of this film, and I am so glad I have the opportunity to see his films more, since many of his early works are now on YouTube with English subtitles, which helps immensely. Spoilers for the film below! “It’s a girl,”…
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Continue reading →: Padmaavat (2018) – Fascist Aesthetics of a Fantastical Fiction Made into Hindutva History
This is a film which I have put off reviewing for a long time, because I knew what I would say. But now this film is on Netflix, making it once more having a wider audience. All I will say is that this is more of an analytical essay with…
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Continue reading →: 1942: A Love Story (1994) – The Revolution of Love Against Oppression
This is a re-review since I feel like I did not do a good job of doing it when I first posted a review of this film. Now with more maturity and more analysis skills. I also just wanted to rewatch this film once more. Spoilers for the film below!…
